Who, me?

Today I met with Paul of VeloTransit about a travel back-pack (more on that later) while at INSCAPE.  In the course of our conversations he noted the Nikon D90 hanging around my neck and asked “Are you a photographer?”  I hesitated.  Am I?  I mean, I take photographs, certainly.  And I even have some semblance of an online gallery at Ward’s Pics.  But am I a photographer?  I hemmed and hawed.  I am not even sure exactly how I replied, but it was not in a simple affirmative or affirmative of any kind.  The response I wished I had given came to me, albeit too many seconds and too late in the flow of our continuing conversation for me to say: I am a photographer dabnabbit!

Flashback to mid-March this year when Tracy and I both joined AmazonTote; she as our user experience designer and I as the technical program manager (aka, technical gofer).  Tracy is not simply a 40-hour-a-week kind of career person; she intentionally moved from a position as a full-time designer at Microsoft to full-time contractor in order to pursue her first passion: art.  It is without exaggeration she has become not only a very near and dear friend, but also an enormous inspiration in my life.  In the past few weeks we have ventured into the art of Seattle together, she in some ways taking me under her wing.  I have had the pleasure of coming to see her art at COCA and also this past weekend at Gallery 40.  And as I met her many friends and acquaintances and constituents (did you know she is the self-effacing “mayor of Pioneer Square”), she would introduce me as “Ward; he is an artist.”   Hold on!  Me?  Scratch that, I am no artist.  No!  Artist?  No?  It had a way of seeping into me, this qualification on myself: artist.  I did art, sure.  But I was not an artist, right?  What constitutes being an artist?  Certainly I thought I might be one when I was younger but I turned away from all that when I decided to become an engineer.  Since high school when had my art been shown in an exhibit?  Nor have I ever received a commission.  So how do I qualify as an artist?  I do not, right?  Certainly it is no secret I love to sketch.  I have even dabbled with oils and acrylics.  I spent a year studying sumi-e.  I attempt to write poetry and aspire to one day write children’s literature.  And I may even consider my recent adventures into photography as more than mere technical machinations.  But as Tracy introduced me as “Ward, he is an artist” I came to question how I viewed myself.

Granted, like most folks in the world it is not unreasonable for me to claim I am many things. I am an American. I am Japanese, or at least a reasonable approximation of one when I get going. I am Canadian. I am male. I am heterosexual. I am 36. I am WonderBread white. I am a son. I am a brother. I am a divorcee twice over hoping I never go for the triple crown.  I am a friend.  I did not get into Japanese manga and anime until 12 years after learning Japanese. I am now reasonably fit. I was once morbidly obese. I have traveled a bit of the world. I have held more than a few jobs.  I like that I commute to work on a bus. I am an avid coffee drinker and cafe lounger. I am that guy in cowboy boots whose only experience riding a horse is at a family dude ranch outside of Yellowstone Park.  I am a dork.  I am the guy next door. I am a lot of things to a lot of different people.  But it was not till I met Tracy that I even ever thought I was an artist.  But why not?  I am an engineer, am I not?  But isn’t it the four degrees in engineering that make an engineer?  Well, sort of.  Maybe it is a consequence of lack of self-confidence that I spent much of my life pinning my identity on external validations such as degrees.  How much of myself did I try to cram into the tin box of a career, thinking that is how to discover form, solidify definition?  How many of my hobbies I have rediscovered in the last year that I have found more rewarding than my work will ever be?  And none of those required me to get a degree to qualify me to enjoy them.  None of things that I have a deep passion require me to get board certified.  I can do and do do them whenever I please.  And as I stood listening to Tracy introduce me to her friends, it dawned on me.  Who I am is what I do, and what I do is art.  I am me who takes photographs.  I am me who sketches.  I am me who is a photographer.  I am me who is an artist.

Thank you, Tracy.

Volunteer Park

How can you not love Volunteer Park?  Home of the Seattle Asian Art Museum.  Home of Seattle Conservatory.  Home to panoramic views of Seattle from its historic, brick water tower.  Host to Greenstage’s productions of Shakespeare (in the park, naturally).  For a mere 50 or so acres it packs quite a punch.  Today, after soaking in INSCAPE I headed up to Volunteer Park in hopes of getting a few pictures.  While I have absolutely no complaints about today’s perfect Autumn afternoon, it was actually too bright for me to take pictures.  Nevertheless, I did manage to salvage a few from the dahlia garden.  Enjoy.

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INSCAPE

Today I spent the early afternoon with my very good friend Tracy at INSCAPE.  Seattle’s former 1931 brick building that housed INS (Immigration & Naturalization Services) located at the southern most part of International District has been converted into a space for artists and non-profit organizations.  In celebration of the space’s conversion, there is a re-christianing of the building going on this weekend (October 16-17, 2010).  While the building is not full (yet), it is nonetheless a space with a great energy and potential to be an influential contributor to the slowly emerging gentrification of the area.

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My Fear’s Many Faces

Fear evolves.  What scared me as a child no longer scares me as an adult.  Well, that is not quite true but that is for a future post.  Every day, just as we shed our body’s cells, so do we our fears, just as we do grow new cells we discover new fears.  Frankly, my own fears fascinate me.  I find a part of them compelling, intriguing things to pull out from their box and put down on the floor to examine.  I find this process comforting even, a warm welcome reminder of my own frailty, my own humanity.  It is a good and healthy thing to be warm and cozy with my fears, to become acquainted on a first-name basis.  Then again, I do not have to do as I do, do I?  I can fear my fears, can’t I?  I can merely nod my head in their general direction, but never quite make eye contact with them, as I sip another drink lounging on my couch.  We share the intimacy of secrets with our family, but fears are just guests at just one more cocktail party.  How very 1950s—and boring, no?

Self-confidence (or self-esteem if you prefer, although I have yet to discover a distinction with a difference between the two), or its lack thereof, as a form of fear, is a very interesting and personal one.  Self-esteem issues are more than just the fear that we are not good enough.  We literally fear ourselves for who we are.  It causes us to do any number of spiteful, hurtful things all in a weary string of vain attempts to hide the fact that our failures—our unhappiness, our not feeling appreciated, our sense that the world is taking advantage of us—are all rooted in the simple fact that we are not able to accept ourselves for who we are (and are not).  We build up our defenses to keep out the hoarding heathens and then forcibly project from trebuchet our fears and subconscious anger of ourselves onto others.  We live in the shadow of self-denial, refusing to admit that we are angry with ourselves.  We are angry, yes; but, we are angry with anyone who exposes the weaknesses and faults we are embarrassed by.  At later stages this fear warps us into a kind of self-nominated, self-inducing victim.  We come to blame everyone but the person responsible and with the power to do anything about our condition.  We come to blame everyone but ourselves.  And lo and behold!  We become in all dear and precious actuality our very own victimizer, our very own jailer.  And I know.  This form of fear will lay low any city, no matter its grandeur, right to the granite foundations more quickly and permanently than any other fear.  It is a ruiner of lives, a destroyer of dreams, a humbler of the “mighty”.  And I know; it was mine.

In my past I used to be afraid that neither did I nor would I amount to anything, that I was not smart enough or strong enough or wise enough or talented enough or kind enough or frankly human enough.  I used to even think my ambition drove me; it did not.  It is overly simplistic but sufficient in this context to write that it was fear that drove me: I feared that if I rested for long enough I would reveal myself for the fraud I believed I was.  Because I feared my humanness, or more specifically because I did not have the courage to love myself—all of myself—I hurt and then lost the persons I loved most.  And now?  I fear dying alone.  It is not death itself that I fear, though.  I fear that I will die a life lived without love and loved ones.  I fear I will be alone at my death, no child or wife to hold my hand, to lay down head on shared shoulders and to permit ourselves to hold onto that one last moment in the afterglow of a life well-loved well-lived.  It is natural these fears.  Certainly loneliness and fear are cousins we need to accept to our table; nevertheless, we should never allow them to drive our decisions.  But how often have my own fears motivated me in my past?  I fear the answer is: too much.  And if that last bit did not make you laugh then I fear nothing will. SEMI-COLON CLOSING-PARENTHESES.

I feared, even came to believe, I was a fundamentally broken human being.  And I emphasized the way I did for a reason; I believed (nota bene my use of past tense) my condition was an inheritance of my birth.  Irrevocable.  Irreconcilable.  Permanent.  But of course, I am human.  Nothing is irrevocable.  Nor irreconcilable.  Nothing is permanent except change itself, trite as it may be to write that.  It may be possible to live without fear.  But I do not think it is a healthy thing to attempt.  Such a success only removes us from our ourselves, from our humanity.  We need to experience loneliness.  We need to experience fear.  It is a part of our shared human condition; a requisite, payment even, for being self-aware.

Dialogues

Life lived is a life loved; a life so lived and loved is a life as monologue.  I would even go as far as to postulate we become Monologue in our truer (even truest?) form when we learn to let go of the need for external verification of our own intrinsic self-worth.  We need no other voice than our own to declare unequivocally “I am.”  And we look out from our singularly unique point in the universe to respond to the whole of said universe, “You are.”  We as Monologue create monologue, and at the leading-edge of this there is dialogue with Dialogue. That so writ …

We in the role of our minor monologues are all simpleton utterances, moments sluicing off from the next and into the next. We finish one flowered delivery only to begin again, cue cards tucked behind shirt-sleeve, prompting our way through scene after scene, play after play.  We stand, light piercing our eyes, blinded into believing this our theatre full; an attentive attendance to our every performance. However, while the bill may be printed ink dry and nailed and posted even the crickets are figments, phantom attendees to our great strut upon the planks of a rose stained stage. We are neither truly heard nor seen by anyone or anything; more are we but an imagined perception of a blind deaf mute Universe.  We become both actors and attendees in this, the descending arcs of our own passionate play.  We awaken from undreamt dreams, a languishing sigh of eyelash on roughened cotton as we are caught glimpsing another, any other, near us.  Here now we hear the more exuberant sigh of a passing smile nailed to our faces, moments later comes the fervid rustle of hair run through by crippling hands.  On their lips lingers the moist scent of Lethe.  We taste then we nibble then we bite and then we gorge off of each other.  We offer a limb to get a limb, to cling one more day to our wandering in this our corporal hinterland.  We stave off starvation, hunger driven by our transcendent angst, through these small shared mercies and these intimacies of nearness.  We hunger.  We hunger never knowing for what; never knowing that the feast to sate this hunger is waiting for us to but sit and partake.

I think we have it in us to spend a lifetime next to, never with, others.  It is easy, I think, to let the fear of being alone—more particularly the sensation of loneliness—drive us to never sit in our own bones comfortably.  The fear we often feel deepest is the fear of being alone.  Let us be honest.  This is an incomplete statement: “fear of being alone.”  There are two words that trail along that we rarely mention in the company of others, or even to ourselves.  And that is key, is it not?  We fear being alone with ourselves.  Because this is what being alone is.  And it is this fear of ourselves that drives us to have an endless parade of dialogues with others, all are vain attempts to avoid having a monologue with ourselves.  Worse, we not really having any meaningful dialogue with others.  We are just having a rather convoluted conversation with ourselves, needing to know ourselves but failing to do so miserably.  This is the true source of loneliness.  It is not that we are alone but that we do not know (accept and love) who we are.

The universe is a cross product of an infinite set of moments with an infinite set of experiences framed by an infinite set of perspectives, these each splintering into an infinite set of separate universes.  And ocean of oceans that we ultimately haul ourselves up and out of and back onto to our life’s beach, itself a sand-grained infinity of all this all over again.  Here we might hear the waves, our hands no longer to carry clarion call but conical shell for us to listen to Life, it all allusion.  There are dialogues.  And then there is Dialogue.  Dialogue begins the moment we stop having a monologue with ourselves through others.  Dialogue is not mere egos co-conflating each through proximity, though. It is not an exchange of words. Or of ideas. Or even eternal sacrosanct emotions.  Dialogue is the empathy of a sole soul to another.  It is the cohabitation of existences, of opening up and stepping out of, and stepping back into one another.  Dialogue is egoless; devoid of “I” and “you” even as this union itself then becomes its own “I” pronounced as /wi:/.

Maybe it is rare, theoretical even; nevertheless, I believe I have glimpsed it between moments in life; this thing called Dialogue.  And how I do hunger for it.  And how I am willing to wait for it, willing to wait for another person, we both as Monologues, in order that we might have dialogue, become Dialogue.  Nevertheless, I have had enough “dialogues” in my own life to know I am still simperingly blind on stage waiting for this monologue to end and me as Monologue to begin.

EXIT stage left indeed.