In Between Thirteens

Today there is just this day remaining: one last day amongst thirteen thousand five hundred thirteen.  Thirteens, these book ends.   What tomes are writ there once?  What are to be writ here hence?

And I will go to bed at noon.”

— Fool, William Shakespeare, King Lear, Act III

This once statement, even affirmation of a seeming known.  Then what was once morphed into question, questing hope.  Now it is not anymore of Now; only that it was and will not be.  Or not yet, at least.

I see a child.  He smiles.  He laughs.  He takes my hand.  I kneel.  He knows me for he knows himself.  My cheek he caresses.  He stills the moments between the inhales and exhales.  We turn to the sound of Moon whispering, trees tickling, winds sighing.  I was born thirteen thousand five hundred thirteen days ago.  There yet remains a task needing my attending, if only I could remember its in-betweens.

Are you sure

That we are awake

It seems to me

That yet we sleep, we dream”

— Demetrius, William Shakespeare, Midsummer Night’s Dream, Act IV

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Welcome Home

On evenings when I come home, I find in the dusty corner at the bottom of the stairs him waiting.  Patiently on slivery web he waits till, when I kick off my shoes, I disturb him.  And only then does he scuttle somewhat hesitantly back toward his hollow between the tile and carpet.  I have come to find his presence a friendly warmth, especially when the cold of winter settles itself at the bottom of the stairs.  He is my friend who sits up waiting for my return; forever faithful.  Generations of his kind have taken up home there in the crick and crook at the bottom of the stairs.  Always but one.  From father to son and son to son’s son passing from one to the next a heritage that binds them to me.  Generations have come and gone; I only knowing of their passing by the change in size.  One day all hairy and large with age; the next day suddenly grown diminutive and petite.  This is how and when I know of the passing of the guard, the passing of an old, dear friend who for weeks and even sometimes months welcomed me home on the evenings when I return late.  Strangely I find it, but find it nonetheless, a kindred fellow in Spider and all his sons who have lived and waited for me evening over evening at the lows of my stairs. Thank you, my friend.  Welcome home, indeed.

Jump.

Jump!  It is a hunger.  A need.  Insatiable.  To the cliffs!  To the blackness!  Jump.  Grab the hand of Fear and smile.  Fear is neither Enemy nor even Stranger.  We are Fear.  We standing in the shadow of our Ignorance.  Our cliffs are but the line to this Shadow; that which separates our Present Now and Future To Be.  Together spread arms and jump.  Jump!  JUMP!  Even in the breaking of bones, in the crush of organs there is no Pain That Kills.  Pain is but mere notes from a song sung Time Immemorial; a song we sing off-key when we refuse the Vision; refusing to accept We as Who Always Were and Who Always Will Be.  It is a gift the re-knitting of Now Self into Truer Self.  Sup at the teats of Ignorance’s breasts, her’s a murky blackness as sustaining, as nourishing, as nurturing as Mother’s Milk.  Smile kindly on Fear.  We are more tripped than tripping when we stand There at the precipice unmoving.  So be tripped and in so being tripped fly into freedom.  Turn then to Nyx.  Turn now to her Father.  Turn toward Blackness Absolute.  Jump.

Second Chances

Some three weeks later here I sit at the end of my journey, my “quadrangle of awesomeness” at a close.  As I wrote previously, this particular story is better measured in anything other than weeks or miles.  I do not propose that the story I am telling is in fact what happened, only that in truth it did happen.  I do not pretend there is no melancholy left in me even though this story’s chapter comes to a seeming close.  And I do not promise you, the reader, that this is a story with a quote unquote happy ending.  But make no mistake, it is my story.

It began many years ago when I drowned in Seattle rainwater poured over the clink of cocktail glasses and dimmed lights.  I sat across from her obliquely, she a patchwork of shadows indecipherable making, at first, the sound of noisy static.  The hurly-burly snapped cleanly in half and with it the static cleared, as if she in her own unintentional way had hurkily jerked a radio onto the only station in that vast dead sea we call cocktail conversation; it was then that I knew I was just along for the ride.  I heard her, she growing rapidly louder until only a deafening quiet remained.  I sat in the eye of a storm and knew I had but two choices: remain here and remain deaf, or else go back into the storm to her Siren call.  I was drowned and wantonly so I drank the waters that poured over my head.  Only later did I see past her as indecipherable shadows to be as goddess Cybele in Ovid’s Metamorphoses, dousing me in rainstorms to drown and return me to the sea; I “though born in hard and rugged mountains … now live in calm and gentle waters.”  And if not as Cybele, she herself a Whitman prodigy, notes she is to be found down under our bootsoles.  And if that is so then she as sea yields to became fertile soil, vibrant and lush.  She eventually left the rain-soaked Seattle soil for the more fertile sands of Lebanon and now Dubai.  And I in pieces by and by went off to find her.  I eventually found her and heard her words.  I let go of what was what.  I let be what needed to be.  Years then passed folded between the stilled falling leaves that came and then went.  I saw my own marriage and subsequent divorce went, too, as it were.  Sans me as the world’s longest long-shot, I thought there were no more second chances left to be gambled on me.  But somewhere out of nowhere she appeared again.  First as a simple, pixelated missive on my phone on the morning after the world stopped turning.  And then she arrived, albeit briefly, in Seattle to visit all the places she left behind so many years ago.  I sat with her one evening in my cafe. I sat in the shadow of her shadow and knew I was drowning all over again.  Cybele she was not only.  She, too, is my Muse.  I sucked in the scent of her breath deep and deeply into the desiccated remains of Memory: I exploded.  Only then did I begin rolling down the map toward Dubai, at first believing I was coming for her.  But I was not.  I was coming for myself.  I came to find my Heart that sits along a boulevard cafe waiting to catch a glimpse of her in the Dubai sun, it more often that not spending its days watching the sun set over those waters where her own heart rests.  I came to find my Heart and bring it home with me.  I came to Dubai to give myself the gift of a second chance.  And I have done that.  As for the rest, as they say, is history.

Who, me?

Today I met with Paul of VeloTransit about a travel back-pack (more on that later) while at INSCAPE.  In the course of our conversations he noted the Nikon D90 hanging around my neck and asked “Are you a photographer?”  I hesitated.  Am I?  I mean, I take photographs, certainly.  And I even have some semblance of an online gallery at Ward’s Pics.  But am I a photographer?  I hemmed and hawed.  I am not even sure exactly how I replied, but it was not in a simple affirmative or affirmative of any kind.  The response I wished I had given came to me, albeit too many seconds and too late in the flow of our continuing conversation for me to say: I am a photographer dabnabbit!

Flashback to mid-March this year when Tracy and I both joined AmazonTote; she as our user experience designer and I as the technical program manager (aka, technical gofer).  Tracy is not simply a 40-hour-a-week kind of career person; she intentionally moved from a position as a full-time designer at Microsoft to full-time contractor in order to pursue her first passion: art.  It is without exaggeration she has become not only a very near and dear friend, but also an enormous inspiration in my life.  In the past few weeks we have ventured into the art of Seattle together, she in some ways taking me under her wing.  I have had the pleasure of coming to see her art at COCA and also this past weekend at Gallery 40.  And as I met her many friends and acquaintances and constituents (did you know she is the self-effacing “mayor of Pioneer Square”), she would introduce me as “Ward; he is an artist.”   Hold on!  Me?  Scratch that, I am no artist.  No!  Artist?  No?  It had a way of seeping into me, this qualification on myself: artist.  I did art, sure.  But I was not an artist, right?  What constitutes being an artist?  Certainly I thought I might be one when I was younger but I turned away from all that when I decided to become an engineer.  Since high school when had my art been shown in an exhibit?  Nor have I ever received a commission.  So how do I qualify as an artist?  I do not, right?  Certainly it is no secret I love to sketch.  I have even dabbled with oils and acrylics.  I spent a year studying sumi-e.  I attempt to write poetry and aspire to one day write children’s literature.  And I may even consider my recent adventures into photography as more than mere technical machinations.  But as Tracy introduced me as “Ward, he is an artist” I came to question how I viewed myself.

Granted, like most folks in the world it is not unreasonable for me to claim I am many things. I am an American. I am Japanese, or at least a reasonable approximation of one when I get going. I am Canadian. I am male. I am heterosexual. I am 36. I am WonderBread white. I am a son. I am a brother. I am a divorcee twice over hoping I never go for the triple crown.  I am a friend.  I did not get into Japanese manga and anime until 12 years after learning Japanese. I am now reasonably fit. I was once morbidly obese. I have traveled a bit of the world. I have held more than a few jobs.  I like that I commute to work on a bus. I am an avid coffee drinker and cafe lounger. I am that guy in cowboy boots whose only experience riding a horse is at a family dude ranch outside of Yellowstone Park.  I am a dork.  I am the guy next door. I am a lot of things to a lot of different people.  But it was not till I met Tracy that I even ever thought I was an artist.  But why not?  I am an engineer, am I not?  But isn’t it the four degrees in engineering that make an engineer?  Well, sort of.  Maybe it is a consequence of lack of self-confidence that I spent much of my life pinning my identity on external validations such as degrees.  How much of myself did I try to cram into the tin box of a career, thinking that is how to discover form, solidify definition?  How many of my hobbies I have rediscovered in the last year that I have found more rewarding than my work will ever be?  And none of those required me to get a degree to qualify me to enjoy them.  None of things that I have a deep passion require me to get board certified.  I can do and do do them whenever I please.  And as I stood listening to Tracy introduce me to her friends, it dawned on me.  Who I am is what I do, and what I do is art.  I am me who takes photographs.  I am me who sketches.  I am me who is a photographer.  I am me who is an artist.

Thank you, Tracy.