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Weeks & Decades

There are decades where nothing happens; and there are weeks where decades happen.

Vladimir Ilyich Lenin

I’m not the first to post this quote … but I like it.  It’s a good reminder that we are quite likely living through a pivotal inflection point of our country.  That our tomorrow, whatever it will be, will look very different than our yesterday.  And rapidly so.

I am hopeful that recent years are not for naught.  For some it has only been a few years of challenge living in a nation divided, where hate has replaced acceptance, where bigotry walks our streets and flies our airwaves uncontested, where so many who fought for the right to be acknowledged and to exist as they were born have seen their inalienable rights erode right under their very feet.

And for others, these few years are but a drop in the bucket; for many they were born into a lifetime of living in fear for nothing more than being different than the status quo.  And more than this, others still it has been an unshakable, unwanted, perverse family heirloom and legacy that has haunted their family through the generations; all waiting to see promises made that to this day remain broken and unfilled for so many.

Who does not want for themselves, their children, their loved ones the simple act of living in a world where they can openly walk the streets without fear of retaliation from the systems built to protect, where they can apply to any institution that is meant to employ them without wondering how far the stairs truly go for them?  Who does not want to live in a world where we live only with the limits we impose on ourselves, instead of living and dying by the limits imposed by those who cannot see their shared humanity in every face they encounter?

For many of us, myself included, we lived with incorrect assumptions about our successes.  We believed our success was largely, if not wholly, a reflection of our merit.  We confused merit with our privilege.  It is not that we are not without merit, but that our privilege as white, as male, as heterosexual, as being brought up in a middle-class family set in a community where college-education and high-paying jobs were the norm not the exception, gave us far more than our merit alone would have achieved if all things were equal.  And because we believed in the inherent rightness of our merit, we thought by being color-blind that we were not racist or sexist when we believed everyone, regardless of their disadvantage and lack of privilege, to be able to achieve the same heights as us through effort alone.  And if they could not, then our flawed narrative made us conclude that those without were themselves somehow lazy, unmotivated; they were without sufficient merit.  That is the lie we tell ourselves, the narrative of the American dream writ large but not true for the vast majority of our nation’s peoples.

None of us are born equal.  We are made equal by the compassion, by the understanding, and the support of all those around us who understand this fundamental truth, and who further subscribe to the notion that we are all equal to the rights, freedoms, and successes found in a life lived freely.  This compassion is not costless; it requires us to share and make room for everyone.  It’s a compassion that requires us to be selfless, and may at times require us to sacrifice so that others may share in all these things.  But this is not to say it’s a zero-sum conversation; what we share is returned to us all many fold by the peace, prosperity and well-being that such selfless compassion engenders and germinates in all touched by it. Again, these things do not just happen; they require us all to lean toward each other, with hands and heart open for this kind of world to materialize.  

The stairs we climbed as a nation are long, hard ones.  We have faltered.  We have slipped.  We have scraped shins and broken bones in our ascent, and sometimes confused our descent as anything what it is: a falling away from grace.  We have lost ourselves in the romanticized notions of a nation that only exists in our minds, only exists in our myth-making words.  We cannot be great again, because we were never great to begin with.  And may never be truly great in all that such ideals are just that: ideals meant to be unattainable, just beyond our grasp but still forever inspiring us to reach higher, with deeper conviction and stronger resolve.  We are meant to struggle with our humanity, we are meant to wrestle with our imperfections.  We are meant to accept these things, and in them find the peace that comes from accepting this simple fact: we are all equals to each other unto our own eyes and our own hearts.

Yes. It’s a scary time.  It’s a time of turnover.  It’s a time of chaos.  But it is also a time of change.  We are not truly lost till we stop accepting who we are.  We cannot arrive at a nation we believe we to be until we accept the nation that we are.  It is now a time for us to accept our racism.  Accept our sexism.  Accept our national legacy of hate.  And change.  Each and every one of us.

Accept.  Change.  Grow.

Great Dan’gons

“Two Great Dan’gons and Their Owner” is a bit of humorous portraiture of our two Great Danes, Kumo and Sora, along with a guest appearance by me, albeit posthumously. Hopefully it’s not too hard to find me tucked away there in the picture.

The whole idea for this picture originated, ironically, from a picture I took of Kumo and Sora lounging around – rather adorably I might add – inside our house. But never satisfied with them as mere great danes, I wanted to transform them into dragons. Why? Why not!

More so, I thought we rarely see dogs transformed into my favorite mythical creatures, and more so I wanted to topple the great Todd Lockwood and his great feline bigotry toward dragons. But let’s be honest, while it pains me to admit it, cats, not dogs, are a better foundation for creating a dragon’s physique. Have you ever seen a dog’s head on a dragon’s body with wing and tail? I’m not knocking Never Ending Story … but Falkor‘s head looks like it’s going to fall off at any moment. It just looks a little silly. So I concede that Mister Lockwood might actually know a thing or two about drawing dragons. But I felt I had to try!

My normal workflow often starts on an iPad Pro (12.9″ first gen) using Procreate. I like this application for sketching and generally to get values and composition nailed. But I’ve found I do not like it once I move away from roughs, especially as I focus on details. Its too easy to have misaligned brushstrokes, even on the ginormous 12.9″ screen with a lot of zooming in and out. In the past year, I’ve introduced Corel Painter 2020 on a Wacom 22″ touch as my preferred platform to follow-through with detailed work around coloring and final rendering where the larger screen is invaluable for keeping track of everything at a glance.

I started this back in September of this year, but then put it down as I felt it was not going the way I liked. In particular, I was worried the values were too severe for me to properly pull off rendering without it feeling washed out. And as happens as an amateur, I still get overwhelmed at various points in production that basically force me to put a piece down and just walk away for weeks, months, and even years. Fortunately for this piece, after a few months of hiatus, I picked it up earlier this week in late November largely just to finish it from a “I start what I finish” perspective.

As things would happen, having an uninterrupted day to work on the piece was a bit of a watershed opportunity for me to constructively work through some of the anxieties I’ve had for the piece. It’s still not my favorite piece, but I feel I’ve gotten as far as I’m going to take it. In particular, the rendering of Kumo’s fur took me a few attempts to get something that I feel works good enough. Even so, I’m not completely satisfied with portions of the piece such as Kumo’s extended foreleg where I still feel like something is just not quite right. In my experience, I sorta need to mentally walk away from a piece for me to later come back and solve lingering issues.

Regardless, I think the piece has some elements I’m proud of. I think Sora is rendered perfectly, framing Kumo beautifully in the foreground with a sense of depth provided by Sora fading into the background. There is a sense of depth given by the atmospheric lighting that I quite like. I’m equally happy with the the tree and forest which has enough details to be interesting without being overwhelming. And I continue to chuckle whenever I think of the backstory of having been eaten by my girls, with Kumo now laying with my skull nestled in her foreleg while she looks off into the distance with her characteristic disinterested gaze.

Artist Resource no. 17: Trent Kaniuga

Trent Kaniuga is a professional artist who works in “the industry” where the industry is all things fantastical. Cuz his art is fantastic! Get it?! Oh, you’re no fun. 😛

In all seriousness, Trent has been contributing and influencing professional concept artists for the past two plus decades. And he more so, he has spent a lot of time creating awesome tutorials that you can purchase on his Gumroad site. He also publishes a ton of free content on his YouTube channel, often where he teases some of his paid-for content on the aforementioned site.

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Product Over Process & What is Art

I thought I would take a moment to share my thoughts that have been percolating for awhile now. In particular, I wanted to address something I’ve heard or otherwise read online around the lines of “what is art?” or “is that legitimate art?” or even “does this constitute cheating in art?” I thought I would minimally attempt to answer these questions head-on, if for no other reason to state what I think is art; note the emphasis is on my opinion. You may disagree, of course; but, hopefully you find this discourse useful.

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Dragon Warden, A More Critical Eye

A few months ago I attended Norwescon where I participated in an artist workshop. This is where you can show your work to other artists to get your work, well, critiqued. And you also get to participate in someone else’s workshop. All in all, a lot of fun. This year, in particular, I found it exceedingly enlightening and constructive. I came out of the workshop with some homework, and here is the first of them.

While I like my original Dragon Warden piece, its undeniably a work in progress. Frankly, I think all my work is forever words in progress; the moment I’m done with it, within in days, hours, or even minutes I see things I want to adjust, change, or otherwise (hopefully) improve. Regardless of my forever needing to improve my skills and my artwork, the feedback focused on issues of values, composition, insufficient rendering that resulted in a muted piece of work without any clear focal point for the viewer.

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